The Fourth Plinth by Geoff Le Pard
Day 5 Advent 2017
The world tumbled and tossed as Barry opened his eyes. It’s what booze does, he thought: beer and it’s a slow churning; vodka takes you on a merry go round; and gin pummels you with the full spin cycle. He tried to identify where he was. Outside, for sure. Somewhere public. Paved if his arse told the truth. Where was Dan? He’d been with Dan, he was certain. A faint smear of memory made him narrow his eyes: Dan getting in a cab. Why wasn’t he in the cab too? Dan pushing him away; Dan calling him something? Bully? Yeah that’s it. Even mulish Dan had seen his true colours. Well, sod you, Dan Parsons, and Merry Christmas.
Barry looked up. Trafalgar bloody Square. Of course, that stupid tree. How’d he got here? They’d been in Camden.
Barry used the wall behind him to stand. Odd how dark it was. Apart from the tree all the street lights were out. Maybe that’s what happens on Christmas night. All the revellers run home on last minute Tube trains and they switch off the lights. God, he felt sick, like the ground was rocking. It was rocking!! The wall behind him slid back and the foulest stench imaginable blew in Barry’s face.
Barry spewed and spat the bitter remnants of his evening’s indulgence onto the ground. Looking up he realised it was one of the plinths that had moved, the empty one. From beneath it a woman, all in silver, was climbing some stairs; the smell came from her.
‘You need a bath, sister,’ he said stepping back.
‘You need me more, Barry Francis.’
Barry rubbed his eyes. ‘You know me?’
‘Oh yes, we all do. Down there.’
Barry followed where she pointed. A sea of the ugliest, most disgusting faces writhed at the bottom of a pit bubbling and boiling with some sort of steaming gunk. ‘They ain’t real. Are they? I mean,’ he shook his head, ‘this is a dream, ain’t it? Either that or there’s a boiling pit of mud under central London.’
‘Liquid putrefaction, the residue of destroyed souls. Once the person has been rendered liquid it goes to the next stage.’
Barry peeped again and had a second smaller but even more bitter chunder. ‘Next stage? After what?’
He goggled at the woman and then burst out laughing. ‘Oh, come on. And what does that make you?’
The woman appeared to consider before clicking her fingers. Her head burst into flames, before a second then a third head appeared and did the same. Meanwhile her stomach ripped open and clawing hands and twisting writhing arms shot at Barry grabbing him and hoisting him onto the empty plinth. Barry screamed as every orifice emptied. The woman’s face reappeared, many times the normal size; her voice coated Barry in an intense thunder, breaking windows, all round the Square. As the glass rained down she shattered his eardrums with a, ‘Your worst nightmare.’
As quickly as she transformed, she reverted to her previous form, standing next to a petrified Barry on the windswept plinth. Oddly all the broken glass had gone, and he could hear perfectly.
Barry stared at her calm brown eyes. ‘What do you want?’
By way of a response, she swept an arm around the Square. As her pointing finger passed the statues on the other plinths, the riders and soldiers came alive and headed towards Barry. The four lions stood and stretched and made their way to Barry’s new perch. ‘You know “A Christmas Carol”?’
‘That Dickens mush? So?’
‘Well, you’re getting CC 2.0.’
‘The Ghosts of Christmas for the 21st century. You can’t do a book anymore and we’ve too many sinners to get round, anyway, so this is the short intense version.’
‘Ok. So, no three ghosts?’
‘No visiting the past, present and future?’
‘A survey monkey, multiple choice.’
Barry nodded. ‘How’d you decide on me?’
‘Public vote. So, you want to try the poll or step on down?’
He straightened his shoulders. ‘First question.’
‘Are you (a) a fair and considerate husband, father and employer (b) sometimes a bit offish after a couple of bevvies or (c) a right bastard to your fellow man?’
‘I want to say b, but after Dan’s comments tonight, c.’
‘Very perceptive. Who do you care about most (a) yourself (b) your money or…’
‘Hey that’s unfair. How can I choose…?’
‘(c) your children?’
‘No, I don’t want to answer that. Because it’s c, but you won’t believe me.’
She lowered her clipboard. ‘What would they say? Or your wife? If they knew you were here, now?’
‘Sod this. I’m going home.’ He sat on the edge of the plinth and looked down. The fiery pit of hell stared back at him. Tears the like of which he’d not shed in decades sizzled as they hit the scalding pools. ‘I love them. I’m doing my best for them. They know that.’
A silky voice filled the Square. It was his daughter. ‘Daddy, I want you not a dress. I don’t care about any stupid dress.’
‘She loved it.’
Another voice joined in. His son. ‘But Daddy said he’d be home for my party.’
Barry covered his face. ‘I tried to get back. I really did…’
Barry’s own voice took over, echoing off the National Gallery and startling the animated horse statue to rear up. ‘Yeah, come on, it’s only a stupid kids’ party. One more for the road. He’ll not notice I’m not there, not once he sees the present. Ungrateful little sod.’
Any last resistance collapsed. Barry wailed, ‘They hate me, there’s nothing left.’
A hand gripped his shoulder. ‘Don’t be a prannock. You know what to do.’
‘Give up the booze.’
‘It’ll be a start.’
He shook his head. ‘You told me they don’t want stuff. And they’ll be in bed anyway.’
The woman pointed at the general on his horse, the four lions, the empty plinth. ‘Remind you of anything?’
‘Sort of post Santa for the internet age, if you like. They’ll take you home, your kids will see you coming, no one will believe you, but they’ll love you for it. But if you slip, if you don’t become the husband, father and boss you could be,’ she waved at the pit. The degraded creatures, flesh dripping from their skeletons waved back. It was almost homely in a John Carpenter kind of way.
Barry nodded. ‘I know. I won’t. Thanks, erm, what do I call you? Spirit?’
‘Not a clever name for an alcoholic, don’t you think? How about Sharon? I always fancied Sharon. Now I must get on.’
As Sharon stepped off the plinth and hovered over the pit, Barry felt it mould to his back, while the soldiers from the other plinths harnessed the lions and encouraged them forward. He looked up at the sky as the clouds parted and a full moon shone down over London. And he’d always thought it was just a story.
Geoff Le Pard started writing to entertain in 2006. He hasn’t left his keyboard since. When he’s not churning out novels he writes some maudlin self-indulgent poetry, short fiction and blogs at geofflepard.com. He walks the dog for mutual inspiration and most of his best ideas come out of these strolls. He also cooks with passion if not precision.
My Father and Other Liars is a thriller set in the near future and takes its heroes, Maurice and Lori-Ann on a helter-skelter chase across continents.
Dead Flies and Sherry Trifle is a coming of age story. Set in 1976 the hero Harry Spittle is home from university for the holidays. He has three goals: to keep away from his family, earn money and hopefully have sex. Inevitably his summer turns out to be very different to that anticipated.
Life in a Grain of Sand is a 30 story anthology covering many genres: fantasy, romance, humour, thriller, espionage, conspiracy theories, MG and indeed something for everyone. All the stories were written during Nano 2015
Salisbury Square is a dark thriller set in present day London where a homeless woman and a Polish man, escaping the police at home, form an unlikely alliance to save themselves.
This is available here
Buster & Moo is about about two couples and the dog whose ownership passes from one to the other. When the couples meet, via the dog, the previously hidden cracks in their relationships surface and events begin to spiral out of control. If the relationships are to survive there is room for only one hero but who will that be?
Life in a Flash is a set of super short fiction, flash and micro fiction that should keep you engaged and amused for ages Amazon.co.uk Amazon.com Smashwords
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